The plot of the Spilled Paint short film begins as an old-school jazz tune - full of beat and with rising tension. In the movie, the audience is quickly introduced to Patrick, a painter, who is very unpleasantly (even though not yet extremely violently) questioned by a crime boss. The painter made a mistake: he borrowed $10,000 from the same criminal and now it is time to pay up.

Of course, he also made an additional mistake which has been ongoing for some time: he is disorganized, unable to focus and on moments, not exactly the sharpest knife in the drawer.

But, he gets a break. The boss will give him a week to get the money. Naturally, with nowhere to turn, the painter realizes his only option is to create a masterpiece of end up very hurt or even worse.
He goes back home and gets to work, all the while as the tension, just like that jazz tune, builds up.

Spilled Paint was directed by Enock Dorestan and it’s an interesting piece that bridges comedy, thriller and even a trace of social commentary. The last part of the film appealed to me the most. As the painter wastes time and slowly throws away his one shot at getting out of this mess, the notions of artistic value and inspiration get into Dorestan’s focus. The film boldly jumps through the story’s timeline, including the introduction of Patrick’s girlfriend Helena. She is played by Justine Renee, who is the most impressive cast member. In many ways, Helena is the voice of reason but also the hand of blind divine intervention at the same time.

Just as the story crawls to its potentially violent conclusion it is Helena who makes the world of difference. From that point on, the movie reminded me in its essence to the Exit Through the Gift Shop. In a short few final minutes, Dorestan turns the movie on its head and showcase some fundamental questions similar to the famous 2010 documentary, including what is the actual worth of art and does the artist's intent figure into this.

Through this ending, especially the final scene that was shot in a very gentle manner, Spilled Paint finishes, completely unexpectedly, on a really high note. Find out more about this great short film on its official page at Road7Films.com and watch it in its entirety right here!



Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers -- Thor, Black Widow, Captain America and Bruce Banner -- must figure out a way to bring back their vanquished allies for an epic showdown with Thanos -- the evil demigod who decimated the planet and the universe.
Release date: 26 April 2019 
Directors: Anthony Russo, Joe Russo
Music director: Alan Silvestri
Based on: The Avengers; by: Stan Lee; Jack Kirby

Screenplay: Stephen McFeely, Christopher Markus


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We all have a superhero inside of us -- it just takes a bit of magic to bring it out. In 14-year-old Billy Batson's case, all he needs to do is shout out one word to transform into the adult superhero Shazam. Still a kid at heart, Shazam revels in the new version of himself by doing what any other teen would do -- have fun while testing out his newfound powers. But he'll need to master them quickly before the evil Dr. Thaddeus Sivana can get his hands on Shazam's magical abilities.

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I really loved Bone Tomahawk and I didn't like Brawl in Cell Block 99. Now, there is the new film by S. Craig Zahler and this is his biggest undertaking so far. Featuring a cast led by the always good Mel Gibson, Zahler did his own version of the Poliziotteschi genre (don't worry, I never heard about it either). In the movie, the vibe of the entire plot is an almost intangible mesh of personal drama, background political commentary and quick bursts of almost senseless violence.

This is something that on moments works great and sometimes fails completely, especially because of the weird script Zahler wrote. Here, the idea of repeated dialogue lines, like "being smarter by a yard post" and similar stuff reminded me of film school student trying to write like Tarantino. The presence of these dorky and completely unnecessary elements is hard to figure out but they often break the immersion and any weird-but-good magic this director can clearly deal out to its audience. Still, no one could argue that for a neo-noir film Dragged Across Concrete doesn't cover its genre basis pretty well.